With great pride, I announce the official release of Arrivals and Departures, a CD by New Jersey musician and songwriter (and my husband) Jonathan Andrew.
A few months ago, you learned a little about Jonathan Andrew’s musical scope when his Top Ten Albums of All Time were posted here on the Rock and Racehorses Blog. Now it’s time to hear his music. The four-song CD was recorded in Hoboken, New Jersey. All songs were written and performed by Jonathan Andrew. The CD was engineered by Mike Ferraro and mixed by Ralph Capasso. Two-time Grammy Award winning audio engineer Tom Ruff mastered Arrivals & Departures.
The CD release party was held on July 3, 2009 at The Goldhawk in Hoboken, NJ. Jon performed all the songs on the CD, plus other originals and a few fantastic cover songs. He got a little help from his friends, and Jersey rock local luminaries Joshua Van Ness, Nick Ferriero, Mike Ferraro, Ralph Capasso, Jim Lovegrove, and Eric Blankenship graced the stage.
Album art for Arrivals and Departures was designed by the inimitable Chris Pierson, another talented rocker and also the web designer of my website, RockandRacehorses.com. The cover photo of the CD was taken by me in California on the last day of my Santa Anita Breeders’ Cup trip.
Thank you for supporting this fantastic musician and I look forward to hearing your comments about his music.
I first saw Bud’s photography when I was just learning the ins and outs of my mom’s point and shoot camera, which I brought to the track whenever I had the chance. Bud’s work was displayed in the Final Turn Photo Gallery. I attended the 2003 Jockey Club Gold Cup and was wowed by Mineshaft’s victory; however, the photos I took were abysmal. How could photos of such a great race be so awful? Must have been impossible to shoot, I decided. Then I saw Bud’s photo of Mineshaft in the post parade: head bowed, nostrils flared, bracing against the bit. Bud had captured the horse’s fire even in the notoriously obnoxious Belmont lighting. I begged my then-boyfriend now-husband to locate the print for me for Christmas. Jonathan contacted this amazing and talented photographer from the Boston area and I ended up with a framed, matted photo of Mineshaft, which is proudly displayed on my wall.
In 2006, I purchased my first SLR camera, a Nikon D70s. I read the camera manual, browsed the photography forums, and asked everyone I knew for help with my new pet hobby. A friend of mine purchased the same camera at the same time and we met up at Aqueduct to try out our new goodies. My friend knew Bud and introduced me to him. Bud said hello, then eyed me, and asked, “Are you the one who posts her photos online as soon as you get home from the track?” I said yes, a little embarrassed by my own dorkiness. Bud then helped my friend learn about shooting horse racing. I silently shadowed them as they shot the turn and the stretch of the day’s races. I knew the basics that Bud explained, but then he started talking about the good stuff- the stuff that separates the men from the boys, the stuff that makes his racing photos special.
The next time I saw Bud at Aqueduct, I was full of questions. And Bud answered them! A lot of photographers are under the mistaken impression that they are doing something that nobody else has ever done and they are a little reluctant to share their methods. I’ve only met a few who are so comfortable with their work that they can be generous in helping others: Bud Morton is one of these people. He taught me why it’s cool to shoot racing in aperture priority. He taught me how to shoot an image so sharp I can see “the dirt in the jockey’s teeth and every whisker on the horse’s muzzle”. He taught me how much better the inner rail shots are than the outer rail shots. He taught me how the big photographers got their images to look unique. He taught me that if I totally flub a shot, don’t despair because “there are nine more races tomorrow”. And above all else…. background, background, background.
This is all classic stuff that has been done many times before and will be done so many times after, but with these tools, a photographer begins to define a style. True mastery of a craft yields artistic style. Standing just a few feet away from me, Bud can get a totally different-looking image from mine. And he’ll go for the more daring shot instead of the cookie-cutter safety shot every time. He playfully teases photographers for getting “pretty pony” paddock photos but when nobody is looking, he sneaks in the paddock and gets some real beauties (Bud and his wife are also wonderful horsepeople who tend to a small herd of senior horses at home). In addition to the classics of 20+ years ago, Bud has some new classics, too, like this beauty of Rags To Riches winning the 2007 Belmont Stakes over Curlin, another print which resides at the Andrew residence.
On a miserably hot, cold, rainy, or otherwise unpleasant day, a lot of photographers complain about the day’s work. Bud does not- he reminds me that it is a real privilege to shoot these events and be close to such amazing horses, trainers, jockeys, and owners. Shooting is FUN- setting up remotes is FUN. When I assisted Bud at Saratoga, I first learned The Rules before I got to shoot. Working for Bud means following a few basic but classic rules about attire and conduct at the track; these rules have fallen by the wayside for some of the newer photographers. Bud explains it like this, “I’m old school and this is how I was taught…” I’ll work by the old school rules any day- I respect Bud’s opinions and he’s been a great mentor to me.
What kind of Top Ten List would you expect from an old-school, classic, no-contest photographer? Here it is:
1. Bruce Springsteen: Born To Run – No contest. 2. Bruce Springsteen: Greetings from Asbury Park, NJ – The “old “ boss- not the new whiny one- gets the top two. 3. The Beatles: The Beatles (White Album) – “And in the end…” 4. The Grateful Dead: American Beauty – “Keep on truckin’… like the doodah man…” 5. Janis Joplin with Big Brother and the Holding Company: Cheap Thrills – Janis took a piece of my heart with that record. 6. Led Zeppelin: Led Zeppelin I – Left me dazed and confused after good times and bad times. 7. Rod Stewart: Every Picture Tells a Story – Gave me a “reason to believe”. 8. The Who: Tommy – A truly unique album 9. Queen: A Night at the Opera – “Bo Rap” and “Best Friend” get the nod. 10. James Taylor: Sweet Baby James – “ The turnpike from Stockbridge to Boston”, also known as the road to Saratoga
It’s tough being a horse racing fanatic. TVG is nice for seeing the actual races, but you have to suffer through awful commentary, not to mention commercials for ShamWow, the Snuggie and Mighty Putty. Horse racingtradepublications, racing blogs, and forums provide news and opinions, but there are few people with the industry knowledge, scope, and experience to provide racing fans with real insight into the sport.
Bill Finley is one of the finest writers in horse racing. He speaks to handicappers, fans, and to members of the racing industry. I admire his unwavering dedication to the Sport of Kings, as well as his visionary ideas to improve it. Finley has the courage to buck popular thought about the racing industry and speak out about deep problems within the institution. He writes for the New York Times, USA Today, and ESPN, and in 2008, he published Betting Synthetic Surfaces, a book of in-depth research and analysis of what makes a winner on a synthetic track. He’s also a co-host of Down The Stretch, a racing program on Sirius Satellite Radio and has appeared in editions of ESPN’s SportsCentury.
Rock and Racehorses: Sarah K. Andrew 